Cormac McCarthy is regularly described as one of the Great Living American Novelists, and with lots of publicity currently about another of his books which has been made into a film, The Road, I thought it was time to tackle an earlier work, albeit only dating back to 2005.
I wish I hadn’t seen the film - which was certainly a fine piece of work (even though I am no fan of the Coen brothers, who were the directors) - first, though. It was hard to get my recollections of the visual experience out of my head as I read, especially as - from what I remember - the film doesn't really bring much of anything new to the table.
The tale is a good one, charting how a ex-Vietnam vet finds a suitcase full of money at the scene of a drug deal gone wrong, and is then forced to try to evade the efforts of a particularly diligent and memorable hitman keen to recover what he has taken.
As a film, it works as an effective thriller, but despite the presence of a world-weary Tommy Lee Jones in the role of a sheriff investigating events, it wasn't until I read the book that the broader theme, referred to in the title (from a poem by Yeats), properly came across. For while it's a compelling tale, there is a definite and important message about the changing nature of society and consequences of progress.
I must also mention the punctuation. After completing the book, I looked up McCarthy and apparently he's well known for his sparing use of punctuation, and quotation marks in particular. I must admit that this is anathema to me (and this is someone who had read Lynne Truss' Eats, Shoots and Leaves: the Zero Tolerance Approach to Punctuation), but I was surprised by how quickly I adapted and it was certainly a novel experience. Which neatly sums up the point of this entire enterprise…
So, rating time:
#13 No Country for Old Men, by Cormac McCarthy (Picador) - 7/10
Next up: A Certain Chemistry, by Mil Millington (Hodder and Stoughton)
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